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@nytimes.com a year ago ‘Asphalt City’ Review: Arbiters of Life and Death
@nytimes.com a year ago ‘Cabrini’ Review: Embarking on a Pious Mission
@nytimes.com a year ago ‘Shadows in the City’ Review: A Sleazy Slice of 1980s No Wave
@nytimes.com 2 years ago Which Sundance Movies Could Follow ‘CODA’ to the Oscars?
@latimes.com 3 years ago Classic movies in SoCal: 'The Servant,' 'Sleeping Beauty,' 'Harold & Kumar' and more
@itsnicethat.com 6 years ago William Blake’s paintings tread the streets of London, animated by Sam Gainsborough
@nytimes.com a year ago ‘French Girl’ Review: Cuckold au Vin
@nytimes.com a year ago ‘Occupied City’ Review: Mapping the Holocaust, Street by Street
@nytimes.com 2 years ago The Onscreen Apartments That Made Them Want to Live in New York
@nytimes.com 2 years ago ‘Blue’s Big City Adventure’ Review: It’s Gotta Be the Clues
@latimes.com 4 years ago How did they create 'Mulan's' massive Imperial City? Think giant digital Lego kit
@eu.usatoday.com 6 years ago Dora the Explorer comes to life in 'Dora and the Lost City of Gold' trailer
@nytimes.com a year ago ‘The Shadowless Tower’ Review: Circling Regret in Old Beijing
@nytimes.com a year ago Ava DuVernay and Other Directors Rethink Holocaust Films
@itsnicethat.com 2 years ago Clement Cases’ new typeface is both eccentric and legible as he creates with designers in mind
@nytimes.com 2 years ago ‘Paradise City’ Review: John Travolta and Bruce Willis Reunite
@itsnicethat.com 4 years ago Templo’s branding for the UK Anti-Corruption Coalition plays on cryptic typography and distortion
@eu.usatoday.com 6 years ago 'Dora and the Lost City of Gold' premiere: Stars hit the (green) red carpet
@nytimes.com a year ago ‘Kung Fu Panda 4’ Review: Trouble in Juniper City
@nytimes.com a year ago Sundance Lineup Features Films by Steven Soderbergh and Richard Linklater
@nytimes.com 2 years ago ‘A Thousand and One’ Review: A New York Love Story
@itsnicethat.com 3 years ago Multi-media creative Xander Opiyo explains how a move toward motion design has transformed his bold, energetic practice
@itsnicethat.com 5 years ago Dalton Maag’s Monte Stella typeface celebrates the “imperfect” post-war vernacular lettering of Milan
@itsnicethat.com 6 years ago “Every design project can be somehow political”: Felipe Rocha on his multifaceted portfolio